Large Early Black Basalt Lion Finial Teapot c.1790

This impressive early black basalt teapot is a fine example of late 18th‑century neoclassical taste, notable for both its large size (approximately 30cm from spout tip to handle) and its crisp applied decoration. Produced in an unglazed, dense black stoneware body often referred to as black basalt, the teapot has a pleasingly rounded form with a slightly compressed lower section rising to a gently everted, undulating rim. The matte black surface shows the characteristic silky sheen and fine turning marks associated with quality basalt wares of the period.

The body is enriched with a continuous band of applied neoclassical swags and bows, each ribbon carefully modelled with feathered, textile‑like folds. These hang gracefully from small knotted bows spaced evenly around the circumference, lending a sense of rhythm and refinement. Below this decorative frieze, the lower half of the pot is encircled with close, vertical fluting separated by narrow plain bands, a device that lightens the visual mass of the pot and emphasises its rounded silhouette. The foot is integrated into this ribbed band, giving the piece a unified, architectural feel that is typical of late Georgian design.

The cover is another striking feature. It sits neatly within the raised gallery at the top of the pot and follows its wavy outline, echoing the undulation of the rim. At the centre of the lid is a well‑modelled recumbent lion finial, lying on a circular radiating panel framed by a wreath‑like border of finely detailed foliage. The lion’s mane and facial features are sharply defined, displaying a level of sculptural quality that suggests a good factory or accomplished modeller. The lion finial not only provides a strong visual focus but also reflects contemporary fascination with heraldic and classical motifs.

The angular loop handle, with its upswept thumbrest, balances the long, slightly tapering spout, which has a subtle ribbed band at the base for added interest and grip. The underside of the pot is flat and unmarked, as is typical for many early basalt wares produced by various Staffordshire and related potteries in the late 18th century. Although unmarked, the combination of body, modelling and decoration aligns closely with English black basalt teapots made circa 1780–1800 under the influence of Josiah Wedgwood’s pioneering wares.

Condition is generally good for a utilitarian object of this age. There is a noticeable chip to the rim of the spout, clearly shown in the photographs, but no other significant damage or restoration is visible. The applied ornament remains well preserved, with only minor rubbing and light surface wear consistent with careful use and long display. The interior and underside show the expected signs of age but no structural cracks are apparent. Overall the teapot presents very well, with the spout chip not detracting unduly from its decorative impact.

This large early basalt teapot would make a superb addition to any collection of Georgian ceramics, black basalt, or neoclassical design. Its substantial size, elegant swagged decoration and unusual lion finial distinguish it from more common plain teapots of the era. Displayed on a dresser, in a cabinet or alongside other basalt and jasper pieces, it offers a strong sculptural presence and a tangible link to late 18th‑century tea‑drinking culture and the early industrial sophistication of the English pottery industry.